I have explained it to you already here is the paper rn
Psycho analysis is a concept developed by Sigmund Freud, and he reiterated that the human mind undergoes different processes like the wishful impulse, conscious and unconscious repression, and resistance. Within Sigmund Freud’s psychoanalytic model of personality, the conscious mind comprises everything inside of people’s consciousness. This is the element of people’s psychological processing that they may think and discuss in a rational manner. The conscious mind comprises these aspects as the perceptions, sensations, feelings, memories, and fantasies inside of people’s current consciousness. Closely linked to the conscious mind is the subconscious that comprises the things that people are not considering at the moment but which they may bring into conscious awareness. It is from this rationale that the paper examines the works of Joyce Carol Oates, “Where Are You Going, Where Have You Been?” The narrative by Joyce Carol Oates is flooded with psychoanalysis conventions. Freud created a list of defense mechanisms employed by the human subconscious to cope with issues too deep for the conscious mind. The elements of the psyche by Freud are translated into elements scattered throughout the work expressed through the character of Connie.
The first element is denial, This happens once the subconscious cannot cope with an event or issue and compels the person to falsify reality and decline to admit it. The most noticeable case of denial falls within the lap of Connie herself. She is prone to disprove the likelihood of danger during the conflict with Arnold Friend. This might be out of necessity for acceptance since she does not get the attention a young girl entering adulthood needs.
The element of the impulse is consciously evident in the story. The wishful impulse gets generated from the mental demands that one must get satisfied immediately. In the story, the wishful impulses are exhibited when Connie’s mind is filled with daydreams, meaning that the wishful impulse is driving the conscious hence satisfying the mind. Another instance of wishful impulse gets illustrated when Connie wishes that her mother is dead so that she could have the freedom to do whatever she likes. Even though wishful impulse may trigger a wrong decision, the ability to make a rational decision becomes challenging because the mind is already affected. Immediately the conscious mind acquires its desires, individuals tend to experience pleasant and relaxing feelings, but when they get denied the pleasure, the human mind becomes restless.
Moreover, the conscious part is the “wish” is shown through Connie. From Joyce publications, it is evident that Connie, through the preconscious mind, wishes that her mother could be dead . However, the conscious part is the “wish” because she understands that even though wishing such a thing to a mother is terrible, she also needs her freedom to continue with her wayward life of even not cleaning the house. Pre-consciousness and consciousness are also reflected where Connie developed a habit of complaining to the friends about the mother, and this is also the time when she could go for outings in the shopping malls with some of her friends albeit house chores left unattended. The conscious and preconscious mind reminds Connie that whatever she is doing is entirely wrong, but her wish drives the unconscious mind to tell her not to mind anyway.
Within the tale’s heading, the present is absent; however, this is the single condition of mind and the existing state by which Connie seems to be conscious; it is the single section of the human state and humankind knowledge that she comprehends. The narrative, in spite of its employ of past tense, discloses to the reader wherein Connie is. She is at all times within the moment without concern of what brought her there or wherever the minute will guide to. For Connie, the past is indistinct while the prospect is of no significance. Certainly, Though, she is “an ordinary American adolescent of her place and time” is not alone within this outlook. Like within Connie’s case, it is just the here and current that is relevant. Nevertheless, from what the audience can learn within the tale, being stalled bears with it dangerous and overwhelming effects. As a result, the heading then becomes a sort of serious caution, an indication to look past the space of “now” or else be compelled, possibly by extremely violent ways as in the case of Connie.
Connie’s desires are mostly present in the narrative. Her desires are exposed through the manner she stares at herself, her affiliation to her family, and her connection to her associates and other boys. Connie’s desires are that she wishes to accomplish a notice by others and her sexual wants. Within the opening line of the narrative, it is evident she is infatuated with her appearances and the manner she appears to other persons:“…she had a quick nervous giggle habit of craning her neck to glance into mirrors, or checking other people’s faces to make sure her own was all right” (Oates 312). Connie is examining other people’s faces to ensure that she continually appears better compared to they are. As objected to by her relatives, Connie had a diverse means of clothing, walking, as well as smiling while in the company of her associates.
In conclusion, the elements of the psyche by Freud are translated into elements scattered throughout the work expressed through the character of Connie. The first element is that of denial. The most noticeable case of denial falls within the lap of Connie herself. The element of the impulse is consciously evident in the story. The wishful impulse gets generated from the mental demands that one must get satisfied immediately. Within the tale’s heading, the present is absent; however, this is the single condition of mind and the existing state by which Connie seems to be conscious; it is the single section of the humankind state and human knowledge that she comprehends.
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