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21 Chump Street and Wit Pride and the Resurrection Analytical Review

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Part 1:

After reading and viewing Wit, and reading the Sykes article, where do you see the themes of grace revealing themselves? Why do you think Edison has a premier scholar of Donne read the “Runaway Bunny” at the end of the play? What is the spiritual significance of this piece? How does Ashford’s understanding of Donne contrast with Bearing’s throughout the play?

Part 2:

21 Chump Street:

Lin-Manuel Miranda turns a piece of reporting broadcast in 2012 into a 14-minute Broadway musical, created by people who normally work on Broadway. You can find the original cast album of “21 Chump Street: The Musical” on, iTunes, Amazon, and Spotify.

Nearly 50 actors, singers, dancers, musicians, and comedians joined Ira Glass onstage at the Brooklyn Academy of Music’s Opera House on June 7, 2014, to try some things they’d never tried before. The result? Journalism turned into opera, into plays, into a Broadway musical (by Lin-Manuel Miranda, starring Lindsay Mendez and Anthony Ramos). Comedy from Mike Birbiglia and Saturday Night Live’s Sasheer Zamata. Songs from Stephin Merritt of the Magnetic Fields. Dance from Monica Bill Barnes & Company.

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